It is also crucial to realise that almost always the introduction of one technology becomes the stepping stone for an improvement of it in the future and also the mixing of media ecologies, all of which are combined to improve our ways of life. Photographer Etienne Jules Marley used film, a camera and a film projector to catch unstable movement in photos, and highlights the overlapping of media forms due to the proliferation of media through space and time (Murphie 2011: 14 Mar) They are all part of media ecologies, and how they affect media change in cultural contexts , highlighting the evolution of these processes and practices. Also how the overlapping of ecologies constructs a new influential technologies.
In some respect, it seems as though media ecologies possess some characteristics of being technologically deterministic in that their introduction in society causes so much change that it affects and changes routine for society, people and culture. These affects are traced back thousands of years, to ancient Egypt where hieroglyphics were used to reinforce memory and became a benchmark for the evolution into the Phoenician alphabet in conveying monotheistic ideas as a part of the information revolution (Levinsen 1997: 3) This media ecology highlighted the power of memory and the conveyance of ideas to affect literary change and show how media communications are connected to highlight the importance of technological change and convergeancy and how through time causes significant changes to society.
References
Levinson, Paul (1997). 'The First Digital Medium' in Soft Edge ; a natural history and future of the information revolution. London: Routledge. 3-5.
Murphie, A. (2011) Advanced Media Issues Lecture. 14 March